In the 1950-ies among black singers popularity style that would later be called the word “doo-wop”. The main role in it was played by the singing, which is not ground throughout the song and created a background for the leading voice. Well, the rest of the Toolkit played only a supporting role.
Although the story began in 1953, its “finest hour” came when the PLATTERS took under his managerial wing composer Buck RAM. First, he made important personnel changes, has been appointed the lead tenor Tony Williams and diluted male team female vocal in the face of Ash Taylor.